What Misty Copeland Thinks About “Black Swan”

“I really enjoyed it, but I understood what it was. It was a horror film. I mean I’m a dancer and I knew that it wasn’t supposed to be portraying what we are. The great thing about the movie was that it provoked people to think about ballet, which is always a great thing. But once they open up that conversation, it’s educating them on what ballet is.”

Dylan Thomas, The Last Rock-Star Poet

“Marshall McLuhan hadn’t yet given us the formula, but if Dylan Thomas was the medium, poetry was the message. Already a radio favorite in Britain, he blazed his reputation across 1950s America with a sequence of Led Zeppelin–esque reading tours, multicity road shows in which the dying throb of Romanticism met the incoming crackle of mass communication.”

L.A. Music Center At 50: How It Changed Los Angeles

“Not only had Los Angeles built the nation’s second major modern performing arts center, after New York’s Lincoln Center, we built it our way. And the world noticed. … Fifty years later we can look back and see the extent to which the Music Center shaped Southern California’s cultural identity. It got not only the world to take us more seriously but we began to take ourselves more seriously.”

We’ve Been Using The L.A. Music Center Backwards For 50 Years

“What most of us consider the front of the Music Center, along Grand Avenue, architect Welton Becket actually imagined as a secondary, less glamorous entrance. And what Becket designed as the public gateway to its plaza, along Hope Street, we think of as the back-of-house: as the spot for valet drop-offs and little more.” Christopher Hawthorne explains why – and how all this may change before too long.