James Taylor On Fame (And Moaning About It In Song)

“It’s a real wrenching thing to go from being a private person to being a public person, especially when you’re being autobiographical. But it’s what everyone wants – to get everyone’s attention, to have your music make a living for you, to be validated in that way. So I’m a little embarrassed that [in ‘Hey Mister, That’s Me Up on the Jukebox’] I complained about getting what I wanted so badly.”

Has Death of a Salesman Lost Its Meaning In Today’s America?

Lee Siegel: “While Death of a Salesman has consolidated its prestige as an exposure of middle-class delusions, the American middle class – as a social reality and a set of admirable values – has nearly ceased to exist. … Instead of humbling its audience through the shock of recognition, the play now confers upon the people who can afford to see it a feeling of superiority – itself a fragile illusion.”

Boy Nouns And Girl Nouns: Why Languages Have Gender

“Languages all across the world have what’s called grammatical gender, which means simply that nouns get divvied up into different categories or ‘classes.’ Sometimes those categories are called masculine and feminine, like in Spanish, although for some other languages the categories have nothing at all to do with natural gender or biological sex.”

Hilary Mantel On Putting Words In The Mouths Of Her Tudor Characters

“How do you give the past a human voice without betraying it or making your reader furiously impatient? Too much period flavor, and you slow up the story. ‘Nay, damsel, be not afeared,’ may be authentic, but it will make your reader giggle. If you give way to an outbreak of ‘prithee’ and ‘perchance,’ then perchance your reader will hurl the book across the room.”