Nobody Cares About Your Fixed Costs, Publishers, So Stop Talking About Them

“We recently pointed out that publishers are fooling themselves by thinking that they must charge super high prices on ebooks. That post seemed to set off some angry folks inside the publishing industry who did the standard thing: talking about all of the overhead that goes into publishing a book. We hear this all the time. But it’s meaningless. It’s cost-based accounting, rather than value-based accounting. The consumer doesn’t care how much it cost you to make the original.”

Percussion Quest (Including Wine Corks, Bamboo, And Felt)

“Pereira looks like a drummer but talks like a scholar. He is serious about his craft, which he knows doesn’t always get enough respect as serious musicianship. ‘There is a lot of creativity and exploration in sound that we have to do for percussion,’ he says. ‘It’s not just two plates of metal or drums and sticks. You have to work hard at it or you deserve all the bad jokes.'”

The Frisbee’s Background As A Baking Tool

“Walter Fredrick Morrison and his girlfriend, Lucile Nay, discovered that flying discs were marketable when a stranger asked to buy the metal cake pan they were flipping through the air on a Santa Monica beach. By 1938, the couple were selling the 5-cent pans for a quarter a piece. Morrison used the proceeds to buy Nay a $35 diamond engagement ring.”

Crowdfunding Artists – Without The “Funding” Part

Caroline Woolard: “OurGoods asks participants to involve themselves fully in exchange. If this kind of deep thinking-doing is social practice, then OurGoods is a social-practice project. At Creative Time, we often found people reluctant to fully engage. This could be because art is often experienced as an abstract idea or proposal to discuss, not a plausible reality to fully involve oneself in — both in body and mind.”

Frieze Doesn’t Give A Crap About Workers (Or Artists, Really), And That’s Wrong

“How many different people do you have to shake to get art institutions and businesses to wake up? Our actions as employers affect the quality of life of others. We know this, in general art professionals vote for socially responsible policies, and yet our own labor practices are amongst the very worst across all disciplines. “