Hilary Mantel On Anne Boleyn

“[She] is one of the most controversial women in English history; we argue over her, we pity and admire and revile her, we reinvent her in every generation. She takes on the colour of our fantasies and is shaped by our preoccupations: witch, bitch, feminist, sexual temptress, cold opportunist. … Much of what we think we know about Anne melts away on close inspection.”

Australian Nat’l University Drops Plan To Sack All Music Staff And Make Them Reapply

“ANU management has backed down over its plans to ‘spill’ the positions of 32 of its tenured and permanent academic and administrative staff at the School of Music today … While this does not change its plans to eliminate 10 of the 32 positions, it gives staff a greater chance to fight for their jobs or a chance at redeployment – as well as access to full redundancy provisions.

Evoking Monet’s Giverny With Real Plants

“Scott Pask made his entrance and spoke his first line: ‘The green needs to be a bit more blue’.” The Tony Award-winning set designer was at work at the New York Botanical Garden’s Enid A. Haupt Conservatory, helping create the new exhibit “Monet’s Garden.” “The task: evoking Giverny, the Normandy estate that was manse and muse to one of Impressionism’s founding fathers.”

What A Difference Some Props Make

“We get that Shakespeare wouldn’t be Shakespeare – and unimaginative programme designers the world over would be up the proverbial creek – without Desdemona’s handkerchief or Macbeth’s dagger. … But what about the impact prop choice can have within a production? What creative freedoms, extended by the playwright to the props person, can affect the outcome of a show?

Reinvigorating Russian Orthodox Sacred Music

The St. Romanos International Composers Competition, launched this year as part of the state-run St. Petersburg International Choir Festival, aims to bring the church’s music (more central to worship than in the West) out of the powerful shadow of Russian Romanticism and into the 21st century. Roughly 300 scores were submitted; large, enthusiastic crowds turned out to hear the winning works.

Carlos Fuentes, 83

“[The] politically engaged Mexican novelist and irrepressible bon vivant … stood at the forefront of Latin American letters for more than half a century … In addition to his career as a novelist, Mr. Fuentes led an intellectually restless life as a political provocateur, an essayist, a screenwriter and playwright, an editor, an ambassador and a cultural historian.”