California’s Artists May Now Be Screwed On Resale Royalties,Thanks To Judge

“Under the U.S. Copyright Act (in contrast to many copyright regimes in Europe), once a piece of art is sold all rights to the physical work belong to the buyer. No matter how much the art appreciates in value, artists aren’t due a penny when the work is resold. All of the profits belong to sellers, not to creators.There is only one exception to that rule in the United States: the 1977 California Resale Royalties Act, a so-called droit de suite law that grants artists a continuing interest in their work when it changes hands.” Now a judge has said the California law is unconstitutional – sorry, artists.

Keeping The Family Together Through Storytelling – That Is, Audiobooks

“Wilson missed a step in his account of our early socialization: the moment someone first got up in front of the fire and told a story that showed the others — especially the children — the magnificence of the universe around them, and made them want to be bigger-souled than they’d been so far. Somewhat further down the evolutionary path, our family does its campfire storytelling by way of audiobooks in the car.”

Time To Toss ‘New Writing’ For Something Wilder And, Perhaps, Newer?

“The ‘New Writing’ play, like the ‘Well Made Play’ before it, exists as some sort of ideal to which new writers are supposed to aspire. This sense of what makes a good play has crept into the way workshops are run, courses are structured, feedback is given and, most damaging, into the very heart of the relationship between producers and artists. In teaching narrative, characterisation and structure, we are teaching a very particular set of aesthetic values predicated on creating a very particular kind of play.”

What’s The Hot Thing At Cannes This Year? Literary Adaptations

“The Cannes festival is, famously, the keeper of the flame of the auteur tradition. … Since the turn of the millennium, only two winners of the Palme d’Or have been literary adaptations: Roman Polanski’s The Pianist, and Laurent Cantet’s The Class. … This year, however, things are different: it is a bookworm’s Cannes, with directors as likely to have had their noses buried in novels as dreaming up original ideas.”