The Market Cost Of Being A Female Artist

“[The] proceeds on all the works by women artists in [this month’s enormous] Christie’s sale tallied up to a mere $17m – less than 5% of the total and not even half the price achieved that night by a single picture of two naked women by Yves Klein. Indeed, depictions of women often command the highest prices, whereas works by them do not.” Things are slowly getting better, however.

Asking The Right Questions Makes All The Difference – So How Do We Find The Right Questions?

Dan Rothstein and Luz Santana of the Right Question Institute “are among a handful of thinkers making a career of taking a close look at how questions work, what our brains are doing when they put a question together, and how questions could drive learning, child development, innovation, business strategy, and creativity.”

Hollywood Finds, To Its Surprise, That Films About Older People Put Older People’s Butts In Seats

“Anytime a film costs $10 million to make and ticket sales approach $100 million, Hollywood pays attention. But jaws really drop when a movie starring actors in their 70s and aimed at people over 50 pulls off that trick. Wait. Stop. Older people will go to the movies if we give them something to watch besides superheroes and special effects?”

‘So How Does It Feel To Have One’s Core Beliefs Turned Upside Down?’ – Ada Louise Huxtable On The New Barnes

“The ‘new’ Barnes that contains the ‘old’ Barnes shouldn’t work, but it does. It should be inauthentic, but it’s not. … The architects have succeeded in retaining its identity and integrity without resorting to a slavishly literal reproduction. This is a beautiful building that does not compromise its contemporary convictions or upstage the treasure inside. And it isn’t alchemy. It’s architecture.”

Terry Gilliam Carrying On About Hollywood (And About Terry Gilliam)

“The first Harry Potter film. I was the perfect guy for that movie. They all knew it. J.K. Rowling wanted me to do it; David Heyman, the producer, wanted me to do it. But one guy from Warner’s overruled everyone and Chris Columbus got the gig. I was furious at the time but in hindsight, the level of studio interference on a project that size would have driven me insane.”