A (Slightly) Contrarian View Of Dietrich Fischer-Dieskau

Terry Teachout: “Mr. Fischer-Dieskau was also one of the most controversial artists of his age, or any other. For every vocal connoisseur who praised him to the skies, another dismissed his singing as ‘mannered’ and ‘croony,’ and it was not until after he retired in 1993 that the carping ceased and he came to be regarded as above criticism.”

Questions With No Answers As China Continues To Imprison Art Shippers

“The director of a China-based art shipping company that had two employees detained by Chinese customs officials at the end of March says he is concerned for their health and has not heard from them since police took them into custody. The pair are being held as part of a probe into alleged undervaluation of works of art imported into the mainland.”

Did MoMA’s Famous ‘Family of Man’ Exhibit Squash Dissent – Or Promote It?

“In totalitarian countries, they argued, mass media delivered propaganda
messages directly from the mouths of dictators; as a result, they undermined their
citizens’ abilities to reason and transformed them into automatons. When Steichen
and his team designed ‘The Family of Man,’ they sought to build a media environment that would have the opposite effect.”

Why Can’t We Leave Dead Musicians Alone? (There’s A Name For It)

“It’s called the ‘death effect’ and it’s the same for actors, authors and artists — whether it’s an increase in exposure or a supply-induced demand (no more painter, no more paintings), public hunger for a person’s work grows exponentially following their passing. When it comes to musicians, however, the situation has the added element of necromancy, a sort of pop culture-tinged resurrection.”