Changing The Faces Of Dance In Los Angeles

Renae Williams Niles, one of the most powerful dance people in L.A., “is highly regarded for her business acumen and knowledge of the art. Her unpretentiousness and sunny disposition have also won her fans. And she is an anomaly in the field: A rare female executive at a large multi-disciplinary performing arts facility who is young (38), African American, a former dancer (with the Lula Washington Dance Theatre) and a homegrown Angeleno (since age 13).”

Acting, Alone (Or, How Maybe Mike Daisey Isn’t The Anti-Christ)

“I’m still in suspense. Where’s the smoking gun? I keep thinking that someone or something else was betrayed and no one has noticed. I know this sounds stupid, but I gotta ask: Did Mike Daisey act alone? For such a big betrayal he must have had accomplices, right? I mean people helped him put this piece on. Did they commission him? They certainly encouraged the guy.”

Making Art In Relative Isolation – And Putting It Everywhere

“Even in stable times life can be hard for artists in West Africa. Not that art ever stops being made. Cities like Abidjan, Dakar in Senegal, and Bamako in Mali are saturated in it. Murals cover public walls and the sides of trucks and buses. Pottery, metalwork and weaving, in styles new and old, fill open-air markets. Portraits of jazzy beauties, Sufi saints and culture heroes (Che, Mandela, Obama, Madonna) are for sale everywhere.”

Editing (British) Vogue: Not All About the Clothes

Alexandra Shulman hasn’t had a movie (or two) made about her, like her U.S. counterpart Anna Wintour, and she’s not worried about being a fashion leader in her personal life. “The way I dress could be political, but it’s not. I made a decision very early on that editing Vogue couldn’t be about what I wore. I didn’t want to set myself up to be something that I couldn’t deliver.”