Month: April 2000

HOLLOW VICTORY

The recording industry wins a suit against MP3.COM for compiling a database of music that can be downloaded. But the company says that compared to Napster, it’s one of the good guys. – Wired

ART OF RECONCILIATION

The UK’s Secretary of State for Northern Ireland, is blocking plans for a peace sculpture made of decommissioned weapons to be erected in Belfast. Richard Branson has commissioned a £50,000 work from 97-year-old Josefina de Vasconcellos, the world’s oldest living sculptor. “The idea of the sculpture has been widely welcomed by politicians in Northern Ireland. However, the proposal to make the new work from decommissioned weapons is causing disquiet at the Northern Ireland Office.” – The Independent (UK)

COMING HOME

A decade after a federal law gave Native American tribes the right to reclaim human remains and sacred artifacts from museums, less than 10 percent of the human remains believed to be in the custody of federal agencies, museums and universities have been returned to tribes. – Chicago Tribune

FOLLOW-UP

  • Michael Ondaatje had a respectable literary career before “The English Patient” and the movie of it made him truly famous. The author, who lives in Toronto, has been described as “the Greta Garbo of Canadian letters.” With all the distraction of Hollywood, it’s probably not surprising that his follow-up book took seven years to produce. – The Telegraph (UK)

FOLLOW-UP

  • Michael Ondaatje had a respectable literary career before “The English Patient” and the movie of it made him truly famous. The author, who lives in Toronto, has been described as “the Greta Garbo of Canadian letters.” With all the distraction of Hollywood, it’s probably not surprising that his follow-up book took seven years to produce. – The Telegraph (UK)

DANCE ON

Trisha Brown’s dance company celebrates its 30th anniversary this year. At the age of 63, Brown’s still pushing. “I’m hell bent right now. The learning curve is stretched so tight it’s twanging. I’m discovering, questioning, looking for solutions. I want to get out as much work as possible. It’s not surprising,” she says. “After all, I’ve been a wife, a mother, a dancer, a choreographer, a citizen in a radically changing world. I’m in my seventh decade. Over time one gets rewritten by experience – by loss, by death, by accidents. All these things have made me think a lot about emotion, about the shape of emotion.” – New York Times

RETURNING HOME

Helgi Tomasson returns to New York City Ballet as a choreographer. At 57, he “remains trim though his hair has gone from black to white and thinned somewhat. He has now been running San Francisco Ballet for the same number of years he danced with City Ballet. ‘It was not a terribly smooth transition,’ he says, in his understated way, of his arrival there; his restrained approach and attention to the refinements of classical technique represented a big change from the flashy showmanship of the previous director, Michael Smuin.” – New York Times

JECKIE JOUSTING

Composer Frank Wildhorn is the first American musical-theater composer in 22 years to have three shows running simultaneously on Broadway. He’s been called the American Andrew Lloyd Webber, but while his loyal fans are fanatical in their love of his work, the critics haven’t been kind. “Six million people have seen my stuff. I make no apologies for what I write. I just want to appeal to my generation. Look, if you’re 45 or 50 years old, that means in the early ’70s you were listening to the Stones or John Denver or Jim Croce. If nothing else, I represent the era I grew up in. I still write for pop artists all the time. I feel it’s important to speak to audiences in a vocabulary that’s comfortable to their ear.” – Orange County Register